Adwer (formerly Adept) aka Adam Werderits was born and raised in Budapest, Hungary. He took his first steps to follow the pathway of electronic music and sound when he got his Commodore 64 home computer system from his parents at the age of 12. While fiddling around with this tiny computer and its legendary and unique SID soundchip, he felt that his body resonates with electronic sound in ensemble – whether it was the harsh chip sound of the C-64 or engineered masterpieces from Kraftwerk, he felt this sound to be innate. Those were the days, when he realized the potential of the computer as his artist canvas: getting into the heart of the computer through machine language coding, then stepping over to graphic design, he arrived to the sound design and music composition domain. During the whole learning process, he became an all-around hardware and software geek. His first “song” was recorded with a tape recorder, played on the grandma’s old and detuned piano at the age of 9, and some years later, in ’93 he finished his first song using a C-64 tracker program.
When it became available to him, he turned to PC’s and MIDI gear and at the dawn of software synthesizers, he got hooked onto the first virtual modular systems. Shortly after the release of the Nord Modular synthesizer, he became the first owner in Hungary of such hardware, his soundpatches are still included in the synth’s factory presets. Despite the early start and being right on time with the electronic sound in the mid ’90s, his carreer as composer never really launched – partly because being a maximalist in production, most of his work never reached the public or receord companies for consideration. The first track to be mentioned as a piece of “electronic dance music” or “trance”, as it was called back then before the “commercialization” of that specific genre, was “Toxen”, composed in 1996 with his partner Mark Ronai – heavily influenced by Oliver Lieb’s music, who was the biggest inspiration for them at the time – also never got released, even if it had great feedback in a smaller audience, domestic record companies were not publishing that genre and unfortunately the guys never sent it abroad, where it could have reached the potential record labels. He belongs to the first generation of Hungarian electronic musicians, even though his releses don’t reach the dayling too often. Releases under the Adept or Adwer acronym are only a handful, so are live gigs, tracks like “Levitating Monk” and “Ironhorse riding” and live acts at Europe’s biggest festival called “Sziget” have contributed to the rise of the Hungarian electronic music culture and scene. Despite having only a few commercially released tracks, his life so far never lacked action and creativity: besides music, he pursued his digital artist carrer designing websites, multimedia content, 3d graphics, animations and of course composing the necessary soundtracks and sfx for them – and to complete the mental with some physical activity, as an athlete, he is experimenting in pushing his body to its physical and mental limits through one of the most grueling sports: road bicycle racing. During his journeys across continents, countries and cultures, he just keeps his eyes and ears wide open, watching and listening, gathering thoughts, sounds and visions and every now and then in years he is giving it back to his audience in form or tracks, gigs, DJ mixes or some form of audiovisual art…so be prepared to relive/experience soon some extraordinary Adept live gigs, that takes you to an unseen/unheard sophisticated, space-technology voyage incorporating custom developed audiovisual fx rig, modulated via computers, Ipads, wireless controllers and other interesting hardware.
This multi-faceted artist has done various experiments in different electronic genres, ranging from old school trance to ambient electronica, progressive house and techno, his releases came out on Warner music/Strictly records, the legendary Bonzai Progressive of Belgium, Progrez, Four Peas recordings of Miami, Baroque Digital/Babylon records, Lups, Itom records and every once in a while he appears with guestmixes on Proton radio, Frisky Radio and Prime Fm. His tracks received worldwide recognition from DJs like Darin Epsilon, Hernan Cattaneo, Cid Inc., Spartaque, Mark Knight, Quivver, Mitch Alexander, Juan Deminicis, Ingo Vogelmann, Luis Bondio, Mariano Favre and many more. Being a cosmopolitan, he is currently living in Colombia, South America, the 5th country he has adopted for living. His public appearances in clubs around the world are not very common, especially for DJ sets, if you get a chance to hear him, grab it while you can!